Moni is just a social friend of the new born baby Noa.
Noa
A Story about YouTube’s googlization and the hidden community
“From You to Tube: YouTube’s googlization and the hidden community” is a short video created by Lasse Timmermann and me for the Digital Methods Seminar. It follows the conceptual and methodological framework of “distilling the ‘textual grammar’ of a website history”[1] set by the Digital Methods Initiative in the video “Google and the Politics of Tabs”. We have focused on the textuality of YouTube’s header tabs and their change in-time since the Internet Archive prioritize singe sites histories with snapshots above the fold. We attempted to periodize the changes using the Google’s acquisition of YouTube in October 2006 as a time-border. What are the differences in YouTube’s tabs before and after that? Has YouTube become less users and community space for sharing videos and more a search engine for videos? Has ‘search’ substituted ‘share’? We assume that the ‘evolution’ of YouTube’s tabs before and after Google visualizes the process of googlization. Prominent Google critics have argued that the sleekness and opacity of Google’s interface have spread to other online platforms masking the complexity of search algorithms and personal data collection. Our findings based on the Wayback Machine archive for YouTube have supported this assumption. You can see the video here:
From You to Tube – YouTube’s googlization and the hidden community from Lasse Bo Timmermann on Vimeo.
[1] M. Stevenson (2009), “The Archived Blogosphere, 1999-2001” in Changing Cultures: Cultures of Change, draft conference paper, p.6
Snapping Profile Snaps
Recently, checking my RSS reader I came across this: Profile Snaps. TechCrunch was serious about it:
Recently launched Profile Snaps allows for additional context for content on news websites and blogs, by providing in-text profiles that gives the reader a snapshot of information about a public figure…….So if you clicked on Barack Obama’s Profile Snap, you’d see an about section, which gives a short bio of the U.S. president; a Twitter section that shows his latest Tweets; a news section with headlines that relate to him; videos of him from YouTube and a photo section that shows a slideshow of pics of President.
The concept behind Profile Snaps is good: since the real-time is hype, more and more applications seem to try to offer it by mashing-up different feeds/hoses/funnels/etc. into one platform. Profile Snapsobviously uses tags from (almost) decentralized sources: Wikipedia, Twitter, Google News, YouTube, Google Search and maybe Flickr for photos.
The problem comes when you aim to move away from the three given examples (the real-time feeds of Obama, Demi Moor and Radiohead). The real-time Tweets seem to just not work: I have tried (based on pure brainstorming) with Matthew Fuller, Lev Manovich, Kenye West, Massive Attack, Bojko Borisov (the Bulgarian prime minister), and U2. No real time Twitter-updates. What is worse, by relaying on tags from different platforms, results can get pretty messy. According to the Videostream, Matthew Fuller is a skateboarder; Lev Manovich is featured in Italian News as reference to an entry about computer games and whether they are remediation of cinema. According to the About stream, Kenye West is “High Speed Rail in the United Kingdom”. The News stream of Massive Attack is “Pakistan Launches Massive Attack on Taliban” and Bojko Borisov is featured in the top 4 links of the News in Macedonian (they use Latin letters). The only relevant result in all of the categories, except Twitter, was U2. I also tried with different language setting: if you query (in the window below the “Give Us a Name. Any Name”) Barack Obama in Bulgarian (Барак Обама), the provided Profile Snaps’ context breaks down even with a ‘name’ that was previously working in English.
Developing an application for capturing real-time streams apparently is difficult, especially if it relies upon tagged names and small portion of semantic Web. People do have similar fore/surnames meaning that a query based on names can be infinitely subjected to imprecision. I do not try to question the existence of this application since it has quite substantial logic behind. Context and content have become important for the online news-stories and any real-time change in the actor’s activity can influence the news context. What I aim to question here is the TechCrunch’s response to the application. TechCrunch has proved to be able to analyze the online critically and creatively (especially when their interests have been harmed). For example, they managed to reveal the back-end politics of Twitter’s notorious Suggested User’s List. Following the leak and the publishing of Twitter’s confidential documents on TechCrunch (even though they kept Twitter informed about it), the tech blog was taken out of the SUL (for a while) and that reflected its Twitter visibility (it got less followers in the time out of the SUL than in the times it was/is featured there).
In contrast to Twitter’s example, TechCrunch approached Profile Snaps in a very different manner. Did the tech editors check the application or just copy/paste the company’s PR announcement? It seems that they have put no effort in trying/playing around with Profile Snaps, otherwise they would have spotted its numerous drawbacks. On the other hand, being reviewed/featured in TechCrunch is seen as a marker of reputation (Profile Snaps has a banner on its webpage saying “As seen on TechCrunch”). There is a clear politics of selection behind what TechCruch decides to approach critically and what not to. The question is how much of its content follows this preemptive selection and how much is based on the ‘free’ will of the editors to be critical and relevant about the newest/coolest tech introductions.
The Licking Media
Recently, my best friend in Sofia wanted to get me the latest issue of L’Europeo, the famous critical/collectable Italian magazine that has a Bulgarian edition since April 2008. It is a themed magazine coming out only six times per year with October’s theme for BG: “Media: the last power”, dedicated to “the media and the free will in thinking”[1]????? Well, YES, this editorial’s brilliant vocabulary decision may sound clumsy in English but believe me, it sounds clumsier in Bulgarian. Moreover, it raises so many questions of what do they understand by media/free/will/thinking/power? And the questions pile up even more when you check who is featured in that issue.
From the BG media:
A national TV political commentator/presenter who focuses on the Truth (“Is it a Real Truth the Truth from the screen?”). Yes, very up-to-2009 given the fact that truth and objectivity in the media have been critiqued by Gans in 1979[2] as impossible to be achieved.
A TV producer who is supposedly criticizing the status quo in Bulgaria, in having only two big private TV channels. This was not an issue for him a year ago when he was the head of the company producing Big Brother and the other reality bullshit on both TVs, but it troubles him when he got kick off that company and tries to start producing on his own.
The director of the Nation Television who barks against who in the media are ex-agents of the Communist Secret Services. Well, that has been an issue since 1989 and everybody knows that will never be publicly revealed because ALL of the media people (in one way or another) are related to that past, be it as a mindset or as the reality of being double/triple agents and millionaire radio-network owners.
And my favourite one: The owner of the biggest BG tabloid chain who has been accused of being a monopolist on the market (no measures taken against him) who claims that ‘Only the gifted succeeded’. Gifted in What? In all that he rejects: licking the political parties, the government, the grey economy, the EU representatives, the advertisers….. everyone that can be and has been licked….
The foreign media featured in the BG L’Europeo is framed as a ‘light-read’ material: the founder of BBC (labeled as a homosexual, fascist, and queer), the case of Yeltsin and what happens to the Russian journalist when they ‘misbehave’ and an archival research of the representation of Bulgaria in Time magazine.
Well, the BG issue sounds very representative of what it stands for: criticism and collectability (almost like a book). Yes, they talk about media and power through the media people-in power and that sets a Great ground for criticism. What would I like to have been featured instead?
Who censors the BG Web? (We have two public cases of beaten up blogger and editor of news portal)
Gender Representations (the BG TV presenters: female with the most wanted body measurements)
Inside the editorial rooms: how do you grow in the media hierarchies (by licking the editors/owners and their friends-of-a-friends…and that is not a metaphor)
TV producing for Millions or how two anti-TV talk shows (one with duration 4 hours on the National TV, the other with 8 Hours on a Private Channel) can exist (and be bought for millions)?
Reality Shows: The BG Wild Wild West
The list can continue forever as long you have a ‘free will to think about media and power’ in Bulgaria. My problem with the October’s issue of the BG L’Europeo is that it follows the framework that disables any rational critique of the Bulgarian media. What is worse, it makes the ‘licking’ practice a GOOD and ONLY POSSIBLE WAY to talk about media. So much for the critical approach, the licking media has taken over!
[1] http://www.vesti.bg/?tid=40&oid=2526511
[2] Gans, H.J. (1979) Deciding What’s News: A Study of CBS Evening News, NBC Nightly News, Newsweek and Time. New York: Vintage Books
The notion of ‘disorientation’ and the proxy server
Few days ago, I was editing my assignment-entry on Wikipedia (logged in) when I received a warning (generated by bot or editor) that the IP I am currently using might belong to a proxy server. Although the administrator of the network denied he is using a proxy, I was intrigued enough to further elaborate on what a proxy server is and when it can be used. It turned out to be an important facilitator on the Web.
The Basics of a Network
According to Wikipedia[1]: A proxy server has four purposes:
- To keep machines behind it anonymous (mainly for security)
- To speed up access to resource (via caching). It is commonly used to cache web pages from a web server.
- To censor network services or content.
- To forge transmitted content before delivery, e.g to insert advertisements.
There are several types of proxy servers depending on the operations they facilitate: cache proxy (keeping local copies of frequently used sources and/or saves expenses enabling individual systems to be connected to it and then to the main server); web proxy (providing content filtering through denying enlisted URLs/ reformat web pages for viewing on mobile devices); content-filtering web proxy (used to ensure that the Web’s usage in corporative/nonprofit organizations abides certain policy); anonymizing proxy (concealing the IP of one computer by substituting it with another IP).
Anonymizing Proxy
The Wikipedia’s list of different proxies continues with hostile, intercepting, transparent/non transparent, etc. It is interesting, however, to ask what the implications of the proxy for the local and the global (Web) networks are (as it has become their integral part). Of course, the first in mind are the power-related implications: filtering, censorship, back-end politics of selection, adapting, interception, privacy. {Privacyis important one since more Web users consider the IP address of their computers as personal data that should not be publicly available. This creates a little paradox around Wikipedia’s practices to publish the IP of the anonymous edits. No wonder, users chose proxies than to make an account or to have their IP in the page’s history.}
Thinking philosophy, however, does complicate the attempt to explain the agency of the proxy server and how it feeds back or changes the agency that we posses as {human} ‘being online’. In Technics and Time 1 Bernard Stiegler conceptualizes:
…. we do not immediately understand what is being played out in technics, nor what is being profoundly transformed therein, even though we unceasingly have to make decisions regarding technics, the consequences of which are felt to escape us more and more[2].
Stiegler’s philosophy is very encompassing and allowing multiple applications and interpretations. Seeing the proxy through the notion of technics comes in line with the recent claims that the Web is much more than what is represented on it. There are the ‘behind-the-representation’ structures that cannot be immediately understand but transform us and our ability to evaluate, perceive, find information, etc. We make decisions about applying technics (proxy) without being able to estimate or foresee the overall consequences. This in/ability can be connected to another core metaphor in Stiegler’s philosophy – ‘the sense of disorientation’. According to Stephen Barker:
In Technics and Time 2, Stiegler focuses on a very specific sense of disorientation, which emerges as a fundamental theme pervading his thought. Disorientation in Stiegler’s sense has to do with co-ordinates, that is, with location and dislocation, within the re-conceived world of the technical. Since Stiegler is working through a critical ontological moment, this dis/location is not physical nor geographical but appears as phenomenological, relating to one’s, and our, locatedness in our psychic world, a world of experience and things; properly understood, however, this seemingly phenomenological network covers a “deeper” ontological predicament. Since for Stiegler “the human” is itself technics, he works through the various ways in which the discovery of this seemingly counter-intuitive – and certainly counter-humanist[3].
And again, the proxy server can ‘explicate’ the dynamics of Stiegler’s ‘sense of disorientation’: location and dislocation go hand-in-hand, can happen simultaneously (especially in the case of the anonymizing proxy[4] where you can be located and in the same time dislocated since your visible IP is not your geographical one). The ‘sense of disorientation’ can be also related to the in/ability to fully understand what is ‘being played out in technics’. Does an institution block particular pages, does a search engine filter-out pages, who localizes and delocalizes online information and Why? How these reflect our experiences and ‘being’ on the Web?
Finally, Stiegler points out the possibility of Dis-orientation to be Re-oriented. This can happen through awareness, attention, and action. The research, therefore, concerning the proxy’s facilitations can help our re-orientation as human and technics.
[1] http://en.wikipedia.org/wiki/Proxy_server, accessed on 09/10/2009
[2]Stiegler, Bernard. Technics and Time 1: The Fault of Epimetheus. Trans. Richard Beardsworth and Georges Collins. Stanford, California: Stanford University Press, 1998: 21. Henceforth TT1
[3]Barker S. (2009). “Transformation as an Ontological Imperative: The [Human] Future According to Bernard Stiegler”. Transformations. Issue 17. http://www.transformationsjournal.org/journal/issue_17/article_01.shtml
[4] I guess I envision the situation where the proxy server is located in a far place and the user is not terrorist, so that the intelligence agency can force the host to reveal the actual IP of the user.
Acknowledgment:
Big Thanks! to Marcel Kraan for the 10 min ‘crash course’ on proxy server.
Twitter and the Vertical Stacking
In Politics of the Very Worst (1999) and Information Bomb (2000) Paul Virilio argues that ‘speed’ historically has been a source of power in all societies (from horsemanship, to railway transportation, naval power, flight and finally information technology). ‘Speed’ has become a ‘power itself’ especially in the digital era in which technologies converge the past, the present and the future by supporting only real time (in which we operate simultaneously). The local and the regional become ‘destabilized’ by the global. By substituting the ‘chronological’ succession of local times with universal time and global space, digital technologies not only transform all activity into inter-activity, but also affect the ‘common’ understanding of ‘truth’ and ‘historical reality’. For Virilio, new digital environments with their immediacy and instaneity impose a threat to (Western) democracy, ethics, and aesthetics. Global interactivity is seen as practice that erodes difference and diversity, and removes human agency. The introduction of higher speed of action demanding reaction (labeled as ‘interaction’) discredits the value of an action as personal choice and empowerment. Virilio interprets the multiplication of “points of view” not as ensuring diversity and difference but as supporting media-controlled conformity. The screen becomes the only ‘artificial horizon’ that can display various media perspectives. The global speed of communications can only move us ‘towards inertia, towards the sterility of movement’ (122).
In Tyranny of the Moment: Fast and Slow Time in the Information Age Eriksen builds upon Virilio’s emphasis on acceleration, adding also Lyotard’s notion of performativity: in the postmodern condition leisure time often incorporates activities more associated with work time or acts of consumption. Eriksen elaborates further, noting that just as fast time drives out slow time, performative leisure displaces leisure erasing the distinction between work and free time. He also conceptualizes what happens to information when it is being distributed through growing amount of data and speed. It becomes impossible to maintain coherent narratives and sequences. Fragments of information rule over thus questioning fundamental frameworks (of cause and effect, ‘organic’ growth, evolution, etc.). Acceleration also drives the practices of vertical stacking (putting things on the top of each other rather than placing them linearly), leading Erikson to conclude that speed and fast time are creating new pattern, new code and new set of organizing principles that (may about to) dominate our society.
It we look Twitter, the micro blogging platform, through Virilio’s and Erikson’s theoretical lenses, can we conclude that:
- Twitter supports ‘real time’, inter-activity and the global dissemination of information.
- Various points of view are presented only through one interface/computer screen.
- Tweets and re-tweets move faster (in space/time continuum) than our actual movements.
- Interacting on Twitter resembles more work or performative leisure than free time activities.
- Fragments dominate the posts (narratives and sequences cannot be sustained under 140 limit).
- Posts are vertically stacked (on the top of each other) than linearly placed in contextual space.
Picnic ’09 paid attention to the way Al Jazeera has incorporated Twitter in their journalistic reporting during the attacks on Gaza. The term micro-reporting was coined as a practice of reporters (on the field) to tweet real time. Their tweets are further incorporated into Al Jazeera’s website where they are ‘enhanced’ with more context and content of the events. For Al Jazeera, therefore, ‘micro reporting’ through Twitter’s 140 limit is not enough for providing ‘traditional’ news narrative/or story line). The tweets should be further contextualized and ‘enriched’ with content. In Future of Public Media (Public Media 2.0) Project Jessica Clark argues almost in the same line: since news is of high demand, news content and context should become crucial for both broadcasting media and users generated content. However, what if Erikson’s pattern of vertical stacking is already enacted online? We see it on Twitter, on RSS feed, on blogs, on Facebook’s News Feed, etc. What if context is no longer linearly but vertically deployed (the more relevant ‘things’ are put on the top of less relevant ones)? How the news should be then contextualized and enhanced with content? The blog’s news page, Twitter’s update or the RSS feed no longer mimics the newspaper page where reports are linearly spaced to maintain interaction between different news items. Will the broadcasting media lose the ‘battle’ again to the online or they will start ‘enhancing’ their audiences’ reading skills to distinguish the ‘good’ (following our policy) from ‘the bad’ (not following) vertically stacked news item?
Wikipedia: A Corporate Hub?
Few hours later after my previous blog-post, I tried to re-create the same entry for BigAirBAG this time under different IP, account, spacing the words in the title (Big air bag) and replacing the word ‘company’ with ‘enterprise’. So far the Big air bag page is in the English Wikipedia with no comments, remarks or banners from its editors! For couple of hours one and the same entry (with minor edits) has been evaluated from ‘promotional threat’ to ‘compliant with the editorial principles’.
Of course this case provokes many questions about the ‘gate keeping’ practices and editorial decisions in the English Wikipedia. Do the editors read an entry marked by the bot ‘for speedy deletion’? Why one and the same editor deletes and carries out the re-deletion assessment? Does a page without a bot ‘alarm’ get its content evaluated? The majority of the references in the Burton Snowboards entry are ‘self-published sources’ and there are no banner’s warnings for that. Maybe the main question that must be asked here is: do brands/companies and products have to have a place in an encyclopedia and how should the existing entries be researched? Where is the fine line between informing and promoting and have the numerous Wikipedia standards ensured that in practice? I would suggest researching the brand/company/product entries in Wikipedia through evaluation of the ‘reference link’. If the hyper textual variant of the reference becomes ‘native’ to the content verification of a wiki entry, by evaluating it, we can see if it feeds back to the corporate platform or to a third ‘reliable’ party. And then calculate how much of the entry is based on corporate and on third party sources. In the case of the Burton Snowboards entry, 50% of their Wikipedia page is based upon their corporate websites.
Most of the authors contributing to The Spam Book (2009) conceive Internet as a capitalistic platform where few hubs have concentrated most of its links and its traffic. Has the temptation for relevancy and immediacy of generating content turned Wikipedia in one of the Web’s corporate hubs?
Does Wikipedia Prioritize American Brands and Companies?
Five years ago, dutch snowboarders tried to create an entry in Wikipedia about BigAirBAG, a dutch brand of air cushion that can be used to absorb the impact while landing freestyle snowboarding, skiing, mountain biking, BMX , etc. tricks. The entry was deleted after an editor (probably human) explained that the company is not registered in USA and its name is too ‘ordinary’. It was also a product and products should not be placed in an encyclopedia. Intrigued by this response, i have queried Wikipedia for popular snowboarding companies and products. Burton Snowboards, Lib Technologies, Vans and others have their wiki pages and the most worrying is that their pages are strikingly promotional. For example, Burton Snowboards page has 16 references, 9 of which are the commercial web pages of its sub-brands. So they are ‘verifying ‘ the information in the entry using their own commercial pages as sources.
Further intrigued, i created my own entry for BigAirBag that seemed (at least to me) to have complied with Wikipedia’s requirements: third point of you, objective, references that are not connected to the official company site, links, avoiding promotion, etc. My entry was staged for deletion five minutes after i have posted it because it was promotional. I have put it on {holdon} and explained why i think it should be kept: the least because BigAirBAG ensures safety and safety is of public interest. Twenty minutes later, the entry was deleted under G11 ‘exclusively promotional’. My page was not even ‘barely’ promotional and i have not even get any explanation why this happened in Mytalk where i was supposedly staging a ‘discussion’.
Now opposing the deletion and considering an entry in the Bulgarian Wikipedia (to compare if there is a difference in editorial practices based on locality/language), i keep wondering how one products are prioritized over others in a platform that (per se) excludes products? And how come always the biggest, the most popular and richest are the ’visible’ ones in the ‘democratic’ users generated platforms while the small ones can barely get an entry?
* A screen shot of my deleted entry can be found in the PDF section of the blog:)
FLIP SIDES OF PARTICIPATORY CULTURE (book review)
Has celebrating users’ generated content become a dominant ‘grand’ narrative of web entrepreneurs, scholars and online businesses? What is hidden behind the participatory buzz of Web 2.0? In Bastard Culture! User Participation and the extension of cultural industries Mirko Tobias Schaefer demystifies this framework by critically exploring the network of discourses that constitute ‘participatory culture’. Unlike other researches in the field, Schafer does not rely on ‘romanticizing’ users’ participation. Instead, he brings multidisciplinary theories to form an analytical grid through which he reveals socio-political factors that have played an important role in the creation and development of participatory technological platforms.
You can find the full text of this review in the Pdf section of this blog:)
